There are stories of coincidence and chance, of intersections and strange things told, and which is which and who only knows? And we generally say, "Well, if that was in a movie, I wouldn't believe it." - Magnolia

29.9.13

Review: Prisoners

Warner Bros.
At first, I was hesitant about whether or not Prisoners was going to be good or something I wanted to see. The trailers made it clear that the cast is going for Oscar nominations and promised a lot of intense, dark drama. Basically everything that an Oscar-bait movie tries to encompass which generally turns me off. On top of that, you have a topic like child abduction. A topic like that ranks among very few others in film that tend to try and shock and disturb audiences rather than construct a meaningful reason for delving into such a topic in the first place. Movies like Changeling and Gone Baby Gone have done it before, and even though Gone Baby Gone was a wonderfully directed and written film, it still felt unnecessarily heavy and dark. Other topics such as the Holocaust, war, etc, fall into the same category. Exploring these topics can quickly turn into a sort of exploitation and can be an easy way to create buzz around your film and gives actors a chance to show how distraught they can appear on screen. 

But then again, a cast of Hugh Jackman, Jake Gyllenhaal, Terrence Howard, Paul Dano, Viola Davis, Melissa Leo, and Maria Bello is super solid. Not to mention director Denis Villeneuve proved he could handle some very disturbing/intense content in the Oscar nominated foreign film, Incendies. And then Prisoners started getting positive early buzz from festivals, so I figured I better see it.

4.9.13

Review: One Direction: This is Us

TriStar Pictures
OK, so there is definitely a story behind this one. As I have hinted at in many of my reviews this Summer, I have had the wonderful convenience of seeing almost all of these movies for free, and that is all thanks to my friend Hannah (@HannahLovise on Twitter and DJ PunchHandz to her closest friends) who works at the local, giant Regal (she did, however, just recently give her two weeks which is sad for my free movie privileges). As payment for what amounts to probably around $100 in savings, she had one request: to see a movie that wasn't a "boy movie" (her words). I thought that Blue Jasmine counted as a not "boy movie," but apparently not enough. Thus, this is why you see the picture and the headline that you do. I had to see it, but I also had to review it. But wait! There's more to this story that heavily influenced my viewing experience and as a result this review: this is my and Hannah's journey.

A local Mexican restaurant favorite in Bellingham, WA, has an 11 AM - 5 PM happy hour, and wouldn't yah know it, but they have a location just across the street from the theater! So, naturally we decide to partake of such discounts. For seven hours before this I had been working at Starbucks where I had only had a smoothie and croissant of some sort to eat and like 5 shots of espresso, so I was going into this big mama margarita on basically an empty stomach and caffeine. After finishing it rather quickly interspersed with chips and salsa, I decided I wasn't feeling anything and went along with Hannah's decision to order another. Two sips into the second margarita and the first quickly begins to catch up. Let the giggling commence! We could hardly look at each other without laughing, and barely finishing our second drink, we left 5 minutes before the show started and walked (very briskly in the straightest line we could manage) over to the Regal to find an empty theater all to ourselves. And of course, we went for the 3D version. Therefore, we were seeing "1D in 3D" which just happens to sound like some sort of 3D porno. Whatever, we "let the margaritas speak," as Hannah said, and went with it.